Hourglass Sextant
I bent down to pick them up
as I reached into the opaque fog
I disappeared in the opalescence
and my footsteps faded into memory
when I reached into the opaque fog
I told myself that some dreams are more real than others
and my footsteps faded into memory
somewhere in time
I told myself, some dreams are more real than others
when the light particles disintegrated
somewhere in time
with the bones of a whale on the beach
the light disintegrated
and I reappeared from the opalescence
with the bones of the whale on the beach
I bent down to pick them up
Altar At Baker Beach
It was a deep night. No moon
I said, “fuck it, let’s go.”
We walked under secret streetlamps toward the threshold
understood we would not return the same
Sliced our eyes in the jet night
the giant orange archway reflected onto the beach
its lights setting the waves ablaze like gasoline
You spoke first…
then said, “Okay… now you. Tell me, what about you?”
I said,
“Look… the Golden Gate Bridge… it’s like a living altar, it remembers each one.”
Figures shuffled up and down the shore like holograms
their silhouettes shapeshifting in the shadows
I wondered… Who are they? What are they? How did they get here?
As we rematerialized in the parking lot
you picked up an empty bottle to recycle it
You said,
“This is my sanctuary, it’s all that I have.”
M.H. Lopez is a poet, editor, nature lover, and longtime resident of the Sunset district in San Francisco, California. He holds a B.A. in Creative Writing from San Francisco State University, and an MFA in Writing from the University of San Francisco. He is the founder of Lone Mountain Literary Magazine, and a co-editor at Mumber Literary Magazine.
Check out his IG page, mhlopez.poetry, to see his full list of previously published material.
Categories: Driftwood